Allison Liu Daisong is known for balancing the roles of artist, scholar, and collector with quiet precision and intellectual grace. Her work emerges at the crossroads of tradition and innovation, where ancient Chinese techniques meet modern theory, and where aesthetic beauty is inseparable from thoughtful inquiry. As the founder of the Song Art Foundation in Singapore, Allison has cultivated not only her own artistic voice but also a platform for broader cultural dialogue. This dialogue connects East and West, art and philosophy, the timeless and the new.
Educated in both China and Singapore, Allison’s academic journey reflects her dual sensibility. She is deeply rooted in classical thought while fully engaged with contemporary global dynamics. She holds a doctorate in Aesthetics from the School of Philosophy at Renmin University of China, where she developed the theoretical foundation that continues to shape her work. Her studies in art asset management and historical criticism inform her belief that great art is never passive. It exists within living systems of meaning, investment, and education.
Her landscape paintings, executed with ink and natural mineral pigments on paper, exemplify this synthesis. They honor traditional Chinese brush techniques and spatial principles while introducing fresh forms and contemporary rhythm. Each piece captures both serenity and motion, simplicity and depth. Her artworks have been featured in leading exhibitions including the Singapore National Day Art Exhibition, Art Stage Singapore, and the Beijing International Ink Painting Invitational. Critics and audiences have praised her ability to maintain the spirit of ink painting while making it visually engaging for modern viewers.
Ceramic art forms the second pillar of her practice. Allison has reimagined the Zisha teapot, a cornerstone of Chinese ceramic heritage, through a series of innovative designs. Her six national patents reflect careful experimentation in both form and function. Her best known creation, the PhD Teapot, received the Silver Award at The Earth Award in 2020 and later earned the Gold Medal at the Seventh China National Ceramics Industry Skills Competition in 2021. With its balance of design precision and traditional elegance, the teapot stands as a symbol of her approach to craftsmanship.
Beyond studio work, Allison plays an active role in the global conversation around art and investment. She has spoken at prestigious events such as the Alternative Asset Management Forum and the Island Art Forum of Art Basel. Her lectures explore the role of cultural preservation in asset growth and the ethical considerations of managing art across international markets. At the Osaka International Art Fair in 2025, she represented I F Gallery as one of two featured artists. There, she offered live demonstrations and held conversations on cross cultural influence in contemporary Chinese art.
Her writing continues to expand her influence in both the scholarly and collecting worlds. Allison’s publications include Cross Border Investment and Management of the Art Asset, A Strategic Study of Art Asset Management, and studies on masters such as Xu Beihong, Liu Song Nian, and Chen Wen Hsi. Her critical reviews blend historical analysis with insights relevant to today’s institutions and private collectors. Each work reflects her commitment to a deeper understanding of art as both heritage and living value.
Allison has received recognition for her contributions across multiple disciplines. In 2020 she was awarded the title of Chinese Provincial Master of Arts and Crafts. Her perspectives and achievements have been featured in China Daily, Asian Weekly, Lianhe Zaobao, and The Straits Times. These profiles often highlight how she merges intellectual rigor with aesthetic clarity, earning respect from museum professionals, investors, and fellow artists alike.
Inside her studio, two creative worlds coexist. One desk is covered with paper, brushes, and ink stones, while the other holds clay tools, ceramic molds, and patent blueprints. She shifts between the two with ease. Sometimes a brushstroke suggests the curve of a teapot handle, or the glaze on a vessel brings new insight into the texture of a painted rock. In her hands, materials and methods are never separated. They are part of a single conversation across media, culture, and time.
Allison’s vision for the future is focused on continuity and evolution. She plans to expand the Song Art Foundation’s residency program and offer new resources for young artists exploring traditional forms in modern contexts. She is also developing digital experiences that allow collectors and audiences to engage with art through interactive formats without sacrificing depth or integrity. Her upcoming ink series is scheduled for exhibition in Asia, Europe, and North America, while her patented ceramic designs continue to attract partnerships from luxury brands and design houses.
Allison Liu Daisong stands as a rare figure in today’s art world. She is an artist whose craft is grounded in centuries of knowledge, a scholar whose theories emerge through practice, and a collector whose taste is shaped by a lifetime of deep study. In every brushstroke and every ceramic line, she honors a past that still speaks, while shaping a future that invites new voices. Her work reminds us that tradition is not a boundary but a foundation. And in her hands, both art and philosophy continue to evolve, not as separate pursuits, but as a single, enduring conversation.
