In the world of dance, few artists exhibit the same depth of evolution and creative vision as Hubert Essakow. Born in Johannesburg, South Africa, and initially trained in classical ballet, Essakow’s career spans the traditional and the experimental, the soloist and the choreographer, the performer and the educator. His time with The Royal Ballet showcased his technical brilliance, while his later work with contemporary companies like BalletBoys and Rambert demonstrated his fearless innovation. Today, as a choreographer and mentor, he continues to push boundaries, crafting deeply emotional, interdisciplinary works that resonate with diverse audiences. This article explores the milestones of Essakow’s impressive journey, his choreographic contributions, and the lasting legacy he is building in the world of dance.
From Johannesburg to the World Stage
Hubert Essakow began his dance journey in Johannesburg, where his early training in classical ballet laid the groundwork for an extraordinary career. His passion and discipline soon took him beyond South Africa’s borders, where he further honed his craft at internationally recognized dance institutions. These early years set the stage for his entrance into one of the world’s most prestigious ballet companies.
A Decade with The Royal Ballet
In 1993, Essakow joined The Royal Ballet in London, quickly rising through the ranks to become a soloist. Over the course of ten years, he performed in a wide range of productions, gaining invaluable experience and recognition. His performances displayed not just technical mastery but a rare emotional intelligence, helping him stand out even among elite peers.
Collaborations with Iconic Choreographers
During his tenure with The Royal Ballet, Essakow worked under the direction of celebrated choreographers including Kenneth MacMillan, Frederick Ashton, George Balanchine, William Forsythe, and Christopher Wheeldon. These collaborations shaped his aesthetic and broadened his understanding of dance as both a discipline and a mode of storytelling. Their influence is evident in his later choreographic style, which blends classical structure with modern sensibilities.
The Transition to Contemporary Dance
After leaving The Royal Ballet, Essakow spent a transformative year in Japan, where he began moving away from traditional ballet and embracing contemporary dance. This shift marked the beginning of a new chapter. On returning to Europe, he joined companies like Ballet Boyz and the Rambert Dance Company, known for their cutting-edge, expressive work.
Performing with Rambert and Ballet Boyz
Essakow's time with Rambert and Ballet Boyz allowed him to experiment with a wide range of movement vocabularies. He performed pieces by leading choreographers such as Christopher Bruce, Aletta Collins, Doug Varone, André Gingras, and Anthony Tudor. These diverse influences enriched his perspective and allowed him to explore new ways of expressing emotion through movement.
Finding a Voice in Choreography
While dancing with Rambert, Essakow began exploring choreography. Participating in Rambert’s choreographic workshops at The Queen Elizabeth Hall and in Resolution at The Place, he discovered a deep interest in creating original works. These early experiences ignited a passion for shaping narratives through movement, setting the foundation for his future as a full-time choreographer.
Embracing Freelance Creativity
After leaving Rambert, Essakow embarked on a freelance career that enabled him to focus fully on choreographic work. This freedom allowed him to take on diverse projects, from intimate solo performances to large-scale ensemble pieces. Whether in theaters, schools, or unconventional venues, he embraced the opportunity to expand his creative language.
Community and Educational Projects
Essakow's commitment to outreach is evident in his educational work. He has developed pieces for community-based initiatives at institutions such as Sadler’s Wells, summer schools at The Royal Academy of Dance, and choreographic residencies at Dance East and Roh2. These experiences highlight his belief in the transformative power of dance and his dedication to nurturing new talent.
Transitions Dance Company and Touring Work
In 2012, Essakow choreographed a piece for the Transitions Dance Company, known for showcasing emerging talent. His work was featured in their national and international touring season, introducing his choreography to new audiences and affirming his place within the global contemporary dance scene. The production was praised for its emotional range and nuanced structure.
Signature Works: Float Dance, Laban, and FLOW
Among his most recognized choreographic works are Float Dance (2012), Laban (2012), and FLOW (2013). Float Dance explored weightlessness and human connection, while Laban paid homage to Rudolf Laban’s movement theories. FLOW, created for the Print Room at the Coronet, investigated the element of water as a metaphor for memory and emotion. Each of these pieces exemplifies Essakow’s lyrical, atmospheric style.
The Interdisciplinary Approach
Essakow is known for integrating other art forms visual art, music, and installation into his choreographic practice. His work often transcends traditional staging, creating immersive experiences that blur the lines between performer and audience. This interdisciplinary approach enhances the emotional and sensory dimensions of his productions.
Mentorship and Legacy Building
As a teacher and mentor, Essakow continues to inspire the next generation of artists. His workshops emphasize emotional authenticity, creative exploration, and connection between mind and body. Whether through formal instruction or collaborative creation, he nurtures individuality and cultivates a spirit of innovation in young dancers.
Conclusion: A Visionary Voice in Modern Dance
Hubert Essakow’s career is a powerful testament to reinvention, courage, and artistic depth. From classical ballet soloist to contemporary choreographer, from global performer to community educator, he has continually expanded the scope of what dance can express. His ability to adapt, experiment, and connect through movement ensures that his work remains fresh and relevant. As he continues to create and mentor, Essakow leaves an indelible mark on both the stage and the people who experience his artistry. His story reminds us that dance is not only a performance, but a language of the soul.
FAQs
Where is Hubert Essakow from?
He was born in Johannesburg, South Africa.
Which ballet company did he dance with?
Essakow danced as a soloist with The Royal Ballet in London for ten years.
What companies did he perform with after The Royal Ballet?
He worked with BalletBoyz and Rambert Dance Company during his transition into contemporary dance.
What are some of his notable choreographic works?
Float Dance (2012), Laban (2012), and FLOW (2013) are among his most recognized pieces.
Has he worked on educational and community projects?
Yes, including projects at Sadler’s Wells, The Royal Academy of Dance, and Dance East.
Is Hubert Essakow still active in the dance world?
Yes, he continues to choreograph, teach, and collaborate on interdisciplinary projects.
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